O (Fly on)
Artist: Coldplay
Album: Ghost Stories
Genre: Alternative Rock
Release Date: 2014
Plays: 190
This song is beautiful.
Before you read this I would like you to lie on a floor, close your eyes and
listen to the song. I know you may not like Coldplay but this is one of their
less well known songs and therefore not the Coldplay you expect to hear. To be
perfectly honest, as a Coldplay fan I was not particularly impressed by Ghost
stories as an album... It's slow-paced and a little low, but on listening to it
a number of times it is very much a chill album that can float along in the
background while I work; but it wouldn't be my first choice.
So into the song, the piano
motif begins with a repeated chord pattern of 4 chords remaining the same almost
all the way through, it is a solid constant driving the song onward for the
whole almost 4 minutes. It's soft, it's melodic, it's melancholic, it's
beautiful. When Chris Martin comes in (after 8 bars) with the
words the melancholic tones continue and the picture begins to be painted. You
look up to the birds, that flock of birds. I imagine a pure flock of doves like
clouds in the sky, and then his voice raises above toward those birds with the
slight augmentation which takes the song above the world in which we experience
it and as the first verse ends with "Fly on" the bass (by the
gorgeously sexy talents of Guy Berryman) comes in to add a deep grounding
thread feeling like a heartbeat moving gently through.
There is no chorus in this
song and I love this, the song is forced to continue, it is is the bare bones
of a song. A lone piano voice and bass. A reminiscing trio where the sustain is
held throughout filling what would be empty space. Oscillating like a wave the
lyrics soar; an albatross making a gentle journey across the wide expanse.
There is no urgency to go anywhere but the song must continue on, illustrated
as the chord sequence changes and the lyrics become both absent and present,
free and forced before the final theme comes in. More voices join and the song
becomes hopeful, trance-like and aspirational and little chirps of synthesised
noise are added in the background which sound slightly pained and the song
draws to a close with a decrescendo into a regretful sigh of "fly on"
which feels almost remorseful... But equally is completely understanding. The
voice alone ends the song with the sustained piano sitting below, and then the
song repeats and you drift again into that ethereal world...
Keep exploring music,
Naomi
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